Quote:
Originally Posted by LongIslandCitizen
You can't alienate the biggest consumers and guaranteed audience.
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Nothing can really guarantee an audience. And the die-hard comic book audience is a niche. For a movie to be a hit, it needs to appeal to a wide audience, not a niche.
If you look back at the best and most successful comic book movie, staying true to the source material wasn't the key ingredient. The key ingredient was a talented filmmaker who was allowed to realize his vision.
The movie that really got the most recent bout of comic book films rolling was Bryan Singer's X-Men, which was actually quite a lot different than the comics. But Singer is talented and made a great movie. (How he managed to turn around and make a thoroughly boring Superman movie still baffles me.)
Same thing with the first 2 Spidey flicks. But then with the third, the studio started insisting on a storyline that Raimi wasn't really interested in, and the results were a bad movie.
Nolan's Batflicks are great because Nolan is a great filmmaker.
Kenneth Branagh was the absolute perfect choice to direct Thor. In fact, he's probably the only director out there who could have pulled it off.
Jon Favreau made a great IRON MAN. He got rushed into the sequel and forced into using a screenwriter he didn't want, and the results were a lackluster movie.
Then you have movies like Ghost Rider, Daredevil, or Elektra, made by hacks, and the results were bad movies.
So the conclusion is pretty clear. If you want to make a good movie, hire a good filmmaker and then stay out of his or her way.