20 Signature Shots and Techniques of the World’s Greatest Directors
20 Signature Shots and Techniques of the World’s Greatest Directors, grolschfilmworks.com/, By David Katz And Oliver Lunn
Elephant (Gus Van Sant) - Steadicam
Elephant, steadishots.org/, Athletic Fields, By Matías Mesa
Carrie split screen (Brian De Palma)
Goodfellas - Steadicam Shot (Martin Scorsese)
- Richard Linklater: walk-and-talk dolly shot
- Paul Thomas Anderson: whip pan
- Terrence Malick: lens flare
- Alfred Hitchcock: zoom dolly
- Gus Van Sant: steadicam shot from behind
- Orson Welles / Gregg Toland: low angle shot
- Martin Scorsese: slow-moving dolly shots set to classic rock music
- Brian De Palma: split-screen
- Wong Kar-wai: motion-blur
- Dardenne brothers: long-take with steadicam, focusing on the back of an actor’s head
- Sam Peckinpah: slow-mo shootouts
Elephant (Gus Van Sant) - Steadicam
Elephant, steadishots.org/, Athletic Fields, By Matías Mesa
Carrie split screen (Brian De Palma)
Goodfellas - Steadicam Shot (Martin Scorsese)
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